There are brief mentions of mental health problems, but wandering around Delhi with a gas mask is hardly an indication of an unstable mind. This isn’t the only story strand that Aniruddha Roy Chowdhury’s Pink introduces and then forgets about. The film begins with Minal and her roommates, Falak (Kirti Kulhari) and Andrea (Andrea Tariang), in a cab, panicked and desperate to reach home. Her unwavering determination is the moral centre of the film, even though it was Bachchan’s bluster that the audience I saw the film with responded to. Pink has its heart in the right place, but there’s very little joy to be derived from its sermons.

Source: Mint September 15, 2016 09:22 UTC