Existential concerns: The movie is known for its arresting visuals and critique of modernity. With its sparse dialogue, existential concerns and fragmented non-linear narratives, the Kannada film is intended as a homage to the “road movie” genre with “the road itself as the protagonist”. I have also been most attracted to road movies. The road movie is the ultimate ‘vehicle’ for a character on a journey of reflection and change,” said Mr. Prasad. “I can never forget the impression it made on me,” said Mr. Prasad, who was first exposed to world cinema as a printmaking student at MSU-Baroda.

Source: The Hindu February 22, 2017 01:18 UTC