In John Wick: Chapter 3 — Parabellum, guns have more dialogue than its hero and more capacity than seems technically possible, the spraying of bullets interrupted mainly to showcase another lethal weapon. Having broken its rules in the previous movie by offing someone in the criminal sanctuary known as the Continental Hotel, John has been excommunicated. That first John Wick came along like a fluke — a shallow, sharp, shiny object with its own internal logic and idiosyncratic style. In Chapter 3, the violence has been supercharged, and so has the virtuosity. “All of this, for what?” the ballet mistress asks a desperately wounded John.

Source: The Telegraph May 17, 2019 13:18 UTC