It’s the moment where I’m following Ron dancing; he’s creating something, and we’re letting that zone happen. This part reminds me of when I first got into the company, looking at his feet and trying to capture it all. Get the rhythm in the feet.” Once the feet happen, you can really see what’s going on with the torso. BROWN Not in a literal way, but it’s almost [Arcell’s] journey to Evidence and discovering this way of moving that he didn’t know about. BROWN We went to Cuba, and I think that opened up his range in a way.

Source: New York Times January 30, 2018 16:00 UTC