Cos creative director Karin Gustafsson, who launched the Milan project seven years ago, is known for offering artists creative carte blanche. “It’s about sharing a creator that we believe in, someone exciting for others to know about,” she says. “I couldn’t do what I’m doing without my architectural education, but what I’m doing is not architecture. “I’m in a place where there’s incredible light,” he says. I’ve always loved Rothko, but I want to animate the Rothko paintings.”The Milan installation is a perfect example of this.

Source: The Guardian April 15, 2018 08:26 UTC