This body of work is an attempt at capturing the beauty of the completely random aesthetic expression of the shanty dweller. His collection that is quintessential and aptly themed, Shanty Aesthetic, introduces the viewer to his creative ability to produce semi abstract artworks from “an often ignored and undesired dwelling places in our suburbs.”The Shanty Aesthetic represents the paradox of Nigeria, Africa, more especially, where slums have coloured the landscape.Aigbogun admits that he was intrigued by the complexity, creativity and functionality those dwellers put in to make a house. He continues, “in Shanty Aesthetics, I explore the idea that we are all predisposed to making design decisions irrespective of status or position. The modern Nigerian woman uses colour as skilfully as any artist, creating shapes, highlights and shadow that previously, did not exist. A place not defined by status or statistics.”Kogbe reveals, “Aigbogun has chosen to travel a well-worn road, exploring colour in painting.

Source: The Guardian August 23, 2020 04:30 UTC