Producer Zhou Lingyi’s “Content Reconstruction Theory” has emerged as a focal point in this transition. Early short-form dramas thrived on speed and plot density; today, viewers increasingly demand coherent emotional arcs and well-motivated character development. The Villainess Retires in Parallel Worlds reconstructs female character logic through parallel narrative structures, becoming a new benchmark for women-focused short-form content. Conclusion: Content Quality as the Core of the “Second Half”China’s short-form drama industry has entered a structural adjustment phase. Zhou Lingyi’s “Content Reconstruction Theory” represents an evolution in creative logic, returning short-form dramas to the fundamental task of storytelling.

Source: The Herald January 03, 2026 04:37 UTC