I mean plays set in an afterlife where the deceased see their time on earth through the prism of eternity. We the audience are very much a part of this dreamscape, as passive voyeurs for whom violent death has become a sort of theater. Newsletter Sign Up Continue reading the main story Please verify you're not a robot by clicking the box. They arrive on stage singly, in a rush of tumbling agitation, and they later, without warning, re-enact those initial propulsive movements, which suggest a violent birth as much as a violent death. “Kill Move Paradise” resonantly locates the unspeakable pain of that paradox.

Source: New York Times June 11, 2017 20:28 UTC