Dissimulation and enchanted islands alike were catnip to 18th century opera composers, as they have been in literature and myth through the ages. Handel’s late opera “Alcina” is one irresistible example of the extravagant angst and allure they provide. Had it been performed in its completion by the English Concert and singers, the performance would have lasted well over four hours. Alcina’s sister, the likable and fickle Morgana, immediately falls in love with Bradamante, who she believes is a man. The massive Chandler is hardly the ideal space for Baroque opera to have the intimacy this piece demands.

Source: Los Angeles Times November 06, 2021 12:37 UTC