Mr. Ross, who’s also a photographer, met his subjects while working as a teacher and basketball coach in the county of the movie’s title. The challenges these young people face here are not documented by means of dramatic situations or confrontations. Sometimes one of the subjects will address the camera, speaking of hopes and fears; other times they’ll just go about their business, quietly. When tragedy strikes, Mr. Ross retains a patient and focused eye. His camera’s gaze has a quality of reserve, one that insistently imparts respect to his subjects.

Source: New York Times September 13, 2018 11:00 UTC