When she isn’t at the Met, Norby, 50, is in rural Wisconsin on a six-acre farm with her husband, a veterinarian, and their teenage daughter. They hunt, grow much of what they eat, and nearby there is a community of Native women from whom she has learned many techniques of beading and regalia-making. For all of her learning, Norby is less academic in her approach to art than many curators, preferring to talk about how her M.F.A. “I’m interested in what goes into making something — the physical and emotional toll. “There are distinct homelands,” Norby acknowledges, “but there was much more exchange than maps can communicate, and, anyway, maps are settler ideas of Indigenous cultures.”

Source: New York Times July 09, 2021 09:00 UTC