Nocturnal Animals delivers a double shot of horror and Nabokovian despair: it’s excessive, outrageous, a story within a story about the super-rich and super-poor. But in Nocturnal Animals, these levels are equally powerful, and have an intriguingly queasy, potent interrelation. (In Wright’s novel she is a college professor, not an art dealer, so the literary judgment was perhaps more cutting.) Tom Ford on Nocturnal Animals: ‘Believe it or not, I'm not just about style’ Read moreSusan is horrified, and we feel her horror. Nocturnal Animals is also about the revenge of the past on the present and present on the past.

Source: The Guardian November 03, 2016 12:00 UTC