It was there that she met director Barry Jenkins and film editor Nat Sanders. My first part on an editorial team was as night assistant editor on “The Surreal Life,” Season 3 with Flavor Flav and Brigitte Nielsen. The hard jump for me was moving from first assistant editor to editor. To get in as an assistant editor, you have to pay $1,500, and then you have quarterly dues around $300. What’s a lesson you learned in editing “Moonlight” that you’ll take with you to next projects?

Source: Los Angeles Times February 23, 2017 17:57 UTC