Exploring the Biennale, with 94 artist projects in 10 venues spread across 6,00,000 sqft, is a rewarding experience because of its surprise element. Through this project, Munshi wanted to share the pain of both those who were born in conflict and continued to live there, or were affected and fled away, for “pain has no colour”. But now that space is beleaguered, Munshi wanted to bridge this gap. That was Kashmiriyat, and Munshi wanted to invoke that lost culture. The archetypal images created thereby allude to various psychological states and classical mythology, but are fascinating and mysterious on their own.

Source: The Telegraph February 16, 2019 19:41 UTC