What has proved fascinating is how differently composers see Koh. Her stage manner suggests a mesmerizing stateliness, easygoing, yet intense. Without flamboyance, she reveals a capacious range of expressive possibilities. Some know her for her Bach, Beethoven, Sibelius and Tchaikovsky. Yet her dedication to new music, second to none among stellar soloists, is all over the map.

Source: Los Angeles Times April 30, 2018 12:56 UTC