If there’s one positive outcome from Godzilla: King of the Monsters, the summer’s first inarguably bad blockbuster, it should be that the marketing team at Warner Bros receives a monstrous raise. With production finishing almost two years ago and with two projected release dates scrapped, bad buzz was starting to grow. Aladdin review – live-action remake really takes flight Read moreBut then the first trailer was released and naysayers fell silent. The more recently released “final trailer” was similarly artful, hinting at a monster movie with heart, a rousing do-over for Gareth Edwards’ forgettable predecessor. For Godzilla: King of the Monsters is every bit as redundant as one would expect, a hollow piece of business masquerading as something necessary.

Source: The Guardian May 28, 2019 21:00 UTC