The set design by Se Hyun Oh conveys how prison-like the camp feels to the families. The stage is mostly bare except for a series of illuminated boxes lowered on black bars. When these are dropped all the way, the bars form what look like a cell, a symbol re-echoed in the outline of a bare-studded barrack wall. Throughout the show, projections (designed by Adam Flemming) are terrifically used to paint mountains and barracks onto white backgrounds that frame the stage or display black-and-white vintage photos of camp families.

Source: Los Angeles Times March 01, 2018 21:33 UTC