At first, I was reminded of the first Prokofiev violin concerto in the way the first movement developed — mysterious opening, gathering speed five minutes later. But it soon became apparent that Jalbert had another structure in mind, telescoping two movements into one. There was occasional use of sliding microtones; one feathery upward slide made an effective close to the first movement.

Source: Los Angeles Times March 19, 2018 22:41 UTC