Placeholder while article actions load“Everyone just looked angry,” says Emma Thompson, grimacing and gritting her teeth. Consent isn’t just normalized in “Good Luck to You, Leo Grande,” Thompson observes, “it’s eroticized. Over the course of the film, Fanagan would take away sounds of the city to reinforce Leo and Nancy’s intimacy. And nowhere is “Good Luck to You, Leo Grande” more radical than in its frank and generous depiction of bodies — young and old, perfect and less than perfect. It’s a term that “bristles” Hyde “because it implies she’s brave to put ‘her body’ or ‘that body’ on screen.

Source: Washington Post June 18, 2022 18:21 UTC