And especially, it seems, the erotically charged disenfranchised: if there was a surprise element to Lovato’s LGBT-friendly performance it was its overt sexuality. The numerous choreographed pairings reflected hetero- and homosexual love, with the singer engaging in seductive behaviour with both sexes. There were other bells and whistles: a lot of hydraulics, as Lovato frequently submerged from different stage areas en route to a costume change. And there’s the music, the majority of it — 10 of 17 songs — culled from Tell Me You Love Me. If Lovato helps them exorcize their personal demons, more power to her.

Source: thestar March 20, 2018 15:19 UTC