To settle the stylistic squabble between the “earthy” daybed and “high-gloss” chandelier, Tatum Kendrick of Studio Hus, in Los Angeles, suggested a Tavalo Basso coffee table from Milan’s Dimore Studio. Its top—a piece of polished, white-veined black marble—gleams like the milky-white Murano glass, while the brass table edging is oxidized, giving it a patina of age that works with the vintage daybed. Its arcs allude to the chandelier’s curvy arms and the subtle swoop of the seat’s frame. Negative space in the art and daybed (that peek-a-boo armrest) further unifies the vignette. It’s understated, like the daybed’s frame, with a curvilinear back that nods to the chandelier’s tendrils.

Source: Wall Street Journal January 18, 2018 20:03 UTC