Chalk and cheese: A review in two partsSUPPLIED The Obliteration Room obliterated Fran Dibble's enthusiasm for participatory exhibits. A CRITICAL EYE: Yayoi Kusama's The Obliteration Room has been running at the Auckland Art Gallery, in the gallery's creative learning centre over the summer. People entering the installation are given a sheet of primary coloured sticky dots that they then peel off and place wherever they like in the room. It toured everywhere from London, Mexico City, South Korea and Switzerland to the Dunedin public gallery, until coming north. To completely contrast, as a review in two parts, I draw attention to a series of prints by Eileen Mayo.

Source: Stuff March 02, 2018 08:34 UTC