DAVÓNE TINES We see what the foundation of this person was, the heft and thickness of his life experience. We experience his genesis and a bit of his growth. But we’ve also been talking about the prism of memory, and later in life his mental faculties disperse or go to a different place. WINOKUR He talks about slavery with a very dynamic and forceful musical language. You go from the stringent, forceful music of slavery to this really open, impressionistic music of the forest.

Source: New York Times May 09, 2019 18:08 UTC