The GuardianThe sparky young performers on stage thanked us for coming out that night. The play was, after all, in Santiago, where only three months ago people took to the streets and did exactly that. Sprayed everywhere was the figure 6 percent — Chilean President Sebastian Pinera’s popularity rating. Sometimes comic, sometimes earnest, always indignant, Chilean theater repeatedly gives voice to the abused, the angry and the dispossessed. Funny, slippery and energetically acted, the three-hander satirized artistic vanity even as it recognized the value of political engagement.
