The agency of an architecture in both reinforcing these colonial and neo-colonial narratives, as well as etching post-colonial ones, isn’t amiss.
Anthropocene Museum 9.0 by Cave_bureau Image: Danko Stjepanovic, Courtesy of Sharjah Architecture TriennialThe Museum of Artifice by Miriam Hillawi Abraham Image: Danko Stjepanovic, Courtesy of Sharjah Architecture TriennialAnother evocation, parallel to this denigration, is the phenomenon of the fall of modernist housing catalysed by elevated levels of migration between North Africa and Western European nations.
I believe the titular 'search for the postcolonial' is at the heart of the programming of the Sharjah Architecture Triennial 2023 that opened earlier this month, and has displayed remarkable maturity and awareness in just its sophomore edition at the hands of Nigerian architect Tosin Oshinowo.
Resource Autonomy by Collab: Henry Glogau and Aleksander Kongshaug Image: Danko Stjepanovic, Courtesy of Sharjah Architecture TriennialJABALA: 9 ASH CLEANSING TEMPLE by Yussef Agbo-Ola Image: Danko Stjepanovic, Courtesy of Sharjah Architecture TriennialPlaceThe Triennial’s programming brings together exemplary practices and ideas in architecture and urbanism from Western and Southern Asia, and the whole of the African continent.
THE POWER OF THE ‘INVISIBLES’, by Yara Sharif and Nasser Golzari Image: Danko Stjepanovic, Courtesy of Sharjah Architecture TriennialRaw Threshold by Al Borde Image: Danko Stjepanovic, Courtesy of Sharjah Architecture TriennialAcknowledgmentAmong both of Oshinowo’s texts doubling up as quasi manifestos themselves, the word acknowledge especially caught my attention on accounts of its infrequent appearance.