It’s tricky to explain Renee Zellweger’s new Netflix show What/If to somebody who hasn’t seen it, because it’s an exercise in diametrically opposed contradictions. She’s the sort of person who keeps her keys in an enormous plexiglass cube in the middle of the room. Facebook Twitter Pinterest ‘What/If might be the best worst show, but then again it also might be the worst worst show.’ Photograph: Erik Voake/NetflixIn What/If, Zellweger’s character meets a barman and invites him home. It isn’t even the worst best show. It might be the best worst show, but then again it also might be the worst worst show.
Source: The Guardian May 21, 2019 14:03 UTC